Skip to main content

Michelangelo: Divine Draftsman and Designer

 

Exhibition Dates: November 13, 2017–February 12, 2018
Exhibition Location:
The Met Fifth Avenue


 


Michelangelo: Divine Draftsman and Designer

  •  Michelangelo Buonarroti (Italian, 1475–1564). Studies for the Three Labors of Hercules, ca. 1530. Red chalk, 10 11/16 x 16 5/8 in. (27.2 x 42.2 cm). Royal Collection Trust / © Her Majesty Queen Elizabeth II 2017, www.royalcollection.org.uk

Michelangelo Buonarroti (1475–1564), a towering genius in the history of Western art, will be the subject of a once-in-a-lifetime exhibition opening at The Metropolitan Museum of Art this fall. During his long life, Michelangelo was celebrated for the excellence of his disegno, the power of drawing and invention that provided the foundation for all the arts. For his mastery of drawing, design, sculpture, painting, and architecture, he was called Il Divino (“the divine one”) by his contemporaries. His powerful imagery and dazzling technical virtuosity transported viewers and imbued all of his works with a staggering force that continues to enthrall us today.  

Michelangelo: Divine Draftsman and Designer will present a stunning range and number of works by the artist: approximately 150 of his drawings, three of his marble sculptures, his earliest painting,



 (“The Torment of Saint Anthony”),

his wood architectural model for a chapel vault, as well as a substantial body of complementary works by other artists for comparison and context.

 Currently, the Met has three works by Michelangelo: Two drawings (“Studies for the Libyan Sibyl,” “Design for the Tomb of Pope Julius II della Rovere”) and a sculpture, “Young Archer,” which is on loan from the French government. A spokeswoman for the museum said the two drawings were typically not exhibited because of their sensitivity to the light, but they will be part of the show.

Among the extraordinary international loans are the complete series of masterpiece drawings he created for his friend Tommaso de’Cavalieri and a monumental cartoon for his last fresco in the Vatican Palace. Selected from 54 public and private collections in the United States and Europe, the exhibition will examine Michelangelo’s rich legacy as a supreme draftsman and designer.


Michelangelo: Divine Draftsman and Designer


  • Michelangelo Buonarroti, Italian, Caprese 1475-1564 Rome. Portrait of Andrea Quaratesi, 1532. Drawing, black chalk. The British Museum, London.
Michelangelo: Divine Draftsman and Designer is organized by Carmen C. Bambach, Curator in The Met’s Department of Drawings and Prints.

Michelangelo: Divine Draftsman and Designer

  • Michelangelo Buonarroti, Italian, Caprese 1475-1564 Rome. Unfinished cartoon for a Madonna and Child, 1525-30. Black and red chalk, white gouache, brush and brown wash. Casa Buonarroti, Florence.
“Archers Shooting at a Herm” is one of the 150 drawings by Michelangelo that will be on display this fall at the Metropolitan Museum of Art. Credit ROYAL COLLECTION TRUST/HER MAJESTY QUEEN ELIZABETH II 2017, www.royalcollection.org.uk


The exhibition will be accompanied by a fully illustrated catalogue written by Carmen C. Bambach that will include essays by a team of leading Michelangelo scholars. It will be published by The Metropolitan Museum of Art and distributed by Yale University Press.





Comments

Popular posts from this blog

Món ăn làm đẹp da, chống nếp nhăn, trị nám da hiệu quả nhất

Yến sào hầm nước dừa, hạt sen -Công dụng: Nhuận phổi ngưng ho, giảm béo, trắng da, trị nám da hiệu quả. -Nguyên tố vi lượng: Calci, acid amin, chất nhựa. Protein trong yến sào tự nhiên chiếm khoảng 50%, thành phần còn lại là calci, acid amin, sulfor. Vậy làm sao hằng ngày chúng ta có thể hấp thu được lượng sữa uống? Điều quan trọng là, trong yến sào có chứa phân tử sinh trưởng biểu bì và hormon thúc đẩy quá trình phân chia tế bào, thúc đẩy sự tái tạo mới, tăng cường sức đề kháng cho cớ thể, khôi phục nguyên tố, cho bạn một làn da trắng và mịn màng. -Nguyên liệu: Yến sào 30g, nước dừa 200ml, đường phèn, hạt sen 60g. -Cách làm: 1. Yến sào ngâm vào nước khoảng 4 giờ, loại bỏ tạp chất, lông vụn, rửa sạch, để ráo nước, chuẩn bị sẵn. Hạt sen ngâm mềm, loại bỏ tim, để sẵn. 2. Bỏ đường phèn vào 600ml nước để sooim cho đường tan ra, sau đó cho yến sào và hạt sen vào, đậy nắp lại, chưng cách thủy khoảng 1 giờ 30 phút, rồi cho nước dừa vào nấu 15 phút. -Mẹo nhỏ: 1. Yến...

Sotheby's IMPRESSIONIST & MODERN ART 14 November 2017 Updated

IMPRESSIONIST & MODERN ART EVENING SALE  Auction 14 November 2017  Works from the Mellon Family Collection are led by    Claude Monet’s Champ d’iris à Giverny, painted in 1887 during a period of respite from the artist’s extensive travels in Holland, Brittany and, finally, his newly- established permanent studio at Giverny (estimate $3/5 million) . The idyllic , pastoral subject matter of this work encapsulates the central focus of Monet’s oeuvre toward the end of the 19 th century, when he divorced himself from painting urban scenes of Paris and devoted himself fully to his beloved countryside in Giverny.  The present work was acquired by the Mellons in 1953 and has remained in the family’s collection since .  Jeanne dite Cocotte, et Ludovic Rodolphe Pissarro sur un tapis is one of the remarkable compositions in which Camille Pissarro turns his at ention to his own family as the subject for his art (estimate $800,000/1.2 million...

Turner and the Sun

The Gallery, Winchester Discovery Centre 5 August – 15 October 2017, Sainsbury Gallery, Willis Museum, Basingstoke 21 October – 16  December 2017,    In the weeks prior to his death, J.M.W. Turner is said to have declared (to John Ruskin) ‘ The Sun is God’ –  what he meant by this, no-one really knows, but what is not in any doubt is the central role that the sun played in Turner’s lifelong obsession with light and how to paint it. Turner and the Sun , an exhibition curated by Hampshire Cultural Trust, will be the first ever to be devoted solely to the artist’s lifelong obsession with the sun. Whether it is the soft light of dawn, the uncompromising brilliance of midday or the technicolour vibrancy of sunset, his light-drenched landscapes bear testimony to the central role that the sun assumed in Turner’s art. Through twelve generous loans from Tate Britain – the majority of which are rarely on public display – this focused exhibition...