bgap

Vancouver Art Gallery  June 24 to October 1, 2017 Claude Monet’s Secret Garden presents thirty-eight paintings spanning the career of one of the most important figures in Western art, focusing on the phenomenal body of work produced in Giverny, a small village in northern France where Monet resided from 1883 to the end of his life in 1926. A   creative endeavor in their own right, the gardens that Monet designed and cultivated in Giverny became the central inspiration of his art. Its waterlilies — populated with exotic strains from as far as South America and the Middle East — weeping willows and the famed Japanese bridge endure as some of the   most iconic imagery in art. These audaciously expressive works represent the summation of Monet’s lifelong dialogue with nature that guided him into radically new territories of   painting. “Monet’s  unique vision, remarkable output and reputation as an intrepid documenter of nature gave   full expression to modern life in France. We are pr

Meadows Museum, Dallas AUGUST 6-NOVEMBER 5, 2017 Nicole Atzbach, “Picasso/Rivera: Still Life and the Precedence of Form,” At the Meadows , Spring 2017, pp. 9–12: During the run of his first solo exhibition at the Paris gallery of Berthe Weill in spring 1914, Mexican artist Diego Rivera (1886-1957) had an opportunity to visit Pablo Picasso (1881-1973) in his Paris studio. Rivera recounts this solemn rite of passage:  I went to Picasso’s studio intensely keyed up to meet Our Lord, Jesus Christ.... As for the man... a luminous atmosphere seemed to surround him.... Picasso asked me to stay and have lunch with him, after which he went back with me to my studio. There he asked to see everything I had done from beginning to end....[W]e had dinner together and stayed up practically the whole night talking. Our thesis was Cubism–what it was trying to accomplish, what it had already done, and what future it had as a “new” art form.  –from D. Rivera,

Pallant House Gallery 1 July – 1 October 2017  Pallant House Gallery presents a major exhibition on the British artist John Minton (1917 – 1957), marking the centenary of his birth and 60 years since his death. It explores the artist’s achievements far beyond his reputation as a leading illustrator and influential teacher, spanning: Evocative wartime landscapes, including views of London, rooting him firmly in the Neo-Romantic tradition. Exotic subject matter in a new colour palette inspired by travel to Corsica, Jamaica, and Spain, including the newly rediscovered   John Minton, Jamaican Village (detail), 1951, Oil on canvas, private collection, photograph © 2016 Christie's Images Limited/ Bridgeman Images © Royal College of Art ‘Jamaican Village’ (1951) . Figurative work including portraits of young male students and friends that express something of Minton’s experience as a leading gay artist in the 1940s and 1950s. These have added poignancy as 2017 marks 50 years s

The Gallery, Winchester Discovery Centre 5 August – 15 October 2017, Sainsbury Gallery, Willis Museum, Basingstoke 21 October – 16  December 2017,    In the weeks prior to his death, J.M.W. Turner is said to have declared (to John Ruskin) ‘ The Sun is God’ –  what he meant by this, no-one really knows, but what is not in any doubt is the central role that the sun played in Turner’s lifelong obsession with light and how to paint it. Turner and the Sun , an exhibition curated by Hampshire Cultural Trust, will be the first ever to be devoted solely to the artist’s lifelong obsession with the sun. Whether it is the soft light of dawn, the uncompromising brilliance of midday or the technicolour vibrancy of sunset, his light-drenched landscapes bear testimony to the central role that the sun assumed in Turner’s art. Through twelve generous loans from Tate Britain – the majority of which are rarely on public display – this focused exhibition will consider how the artist repeated

September 16, 2017–January 7, 2018 Opening September 16, 2017 at the Montclair Art Museum (MAM),  Charles E. Burchfield: Weather Event  is an exhibition of more than 40 of the renowned artist’s lyrical landscape watercolors and drawings that trigger the memories and moods inspired by weather and climate change. His works invite the viewer to experience through the artist’s eyes the environments in Ohio and New York south of Lake Erie. The exhibition will be on view through January 7, 2018. Charles E. Burchfield (1893–1967), Sunburst, 1929–31, oil on canvas. The Charles Rand Penney Collection of Works by Charles E. Burchfield, 1994, 19994:001.052. Reproduced with permission from the Charles E. Burchfield Foundation and the Burchfield Penney Art Center. Individual weather events are examined through both an artistic and a scientific lens. Weather refers to the state of the atmosphere for a given time and place, while climate is the sum of weather events that describes a pla

National Gallery of Art September 3, 2017, through January 28, 2018 In the second half of the 19th century, advances in physics, electromagnetic radiation theory, and the optical sciences provoked new thought about the physical as well as the spiritual worlds. Aspects of that thought are revealed in Edvard Munch: Color in Context , an exhibition of 21 prints that considers the choice, combinations, and meaning of color in light of spiritualist principles. Informed by popular manuals that explained the science of color and by theosophical writings on the visual and physical power of color, Edvard Munch (1863–1944) created works that are not just strikingly personal but also are charged with specific associations. Edvard Munch will be on view in the West Building from September 3, 2017, through January 28, 2018. The majority of the prints in the exhibition come from the Epstein Family Collection, the largest and finest gathering of the artist's graphic work outside of h

Showcasing the finest historic and contemporary castle artists and combining history with art, Capture the Castle at Southampton City Art Gallery is the first ever large-scale art exhibition on the subject of British castles. It conjures the mystique, excitement and prestige of the castle from Iron Age hill forts to Victorian reproductions and fantasy castles. It includes famous and rarely seen works from public and private collections, including loans from Tate, The British Museum, V&A, the Government Art Collection and from the collections of major artists. J.M.W. Turner, Norham Castle, on the River Tweed, 1822-3, Tate Collection, accepted by the nation as part of the Turner Bequest 1856 © Tate, London, 2017  Steeped in history and legend, these extraordinary buildings exude a powerful and brooding presence. They conjure knights in shining armour, high-born heroines, evil deeds and deep dungeons, high adventure and royal intrigue. The first sight of a great Medieva