FRANCOIS I AND DUTCH ART

October 18, 2017 – January 15, 2018
Louvre -Hall Napoléon

François I’s taste for Italian art is well known; his patronage is essentially identified with the creation of an Italian school at Fontainebleau, but his reign was equally marked by a vigorous tradition of Dutch artists settling in France.

The best-known Northern artists active in France during is reign—Jean Clouet and Corneille de la Haye known as Corneille de Lyon—were portrait specialists. The exhibition offers an exceptional presentation of the painted oeuvre of Jean Clouet (only around twenty panels are confirmed to be by the artist), as well as a few rare preparatory drawings, sketched from life.

As well as Paris, the Norman, Picard, Champagne, and Burgundian centers were swept by a wave of Northern influences—from Antwerp, Brussels, Leiden, Haarlem—in the art of manuscript illumination and religious painting. Recent research has gradually revealed painters unjustly consigned to oblivion: Godefroy le Batave, Noel Bellemare, Grégoire Guérard, and Bartholomeus Pons are only some of the artists who excelled in media as diverse as illumination, painting, stained glass, tapestry, and sculpture. The king made extensive purchases of tapestries, gold and silver objets d’art, and Flemish paintings. A whole segment of the French Renaissance is now resurfacing; and this exhibition sets out ro reveal its many and varied facets, its extravagance, and its monumental character.

Jean Clouet, François I, Department of Paintings, Musée du Louvre © RMN - Grand Palais (musée du Louvre) /Michel Urtado

https://en.parisinfo.com/var/otcp/sites/images/node_43/node_51/node_534/jean-clouet,-portrait-%C3%A9questre-de-fran%C3%A7ois-1er-%7C-630x405-%7C-%C2%A9-mus%C3%A9e-du-louvre-dist.-rmn-gp-m.-beck-coppola/18087835-1-fre-FR/Jean-Clouet,-Portrait-%C3%A9questre-de-Fran%C3%A7ois-1er-%7C-630x405-%7C-%C2%A9-Mus%C3%A9e-du-Louvre-dist.-RMN-GP-M.-Beck-Coppola.jpg

https://parismuse.com/wp-content/uploads/2017/07/Francois-I-and-Dutch-Art-exhibition-244x300.png

Jean Clouet, Portrait équestre de François 1er

The Tryptich of the Adoration of the Magi Jan de Beer 1515

Comments

Món ăn làm đẹp da, chống nếp nhăn, trị nám da hiệu quả nhất

Yến sào hầm nước dừa, hạt sen -Công dụng: Nhuận phổi ngưng ho, giảm béo, trắng da, trị nám da hiệu quả. -Nguyên tố vi lượng: Calci, acid amin, chất nhựa. Protein trong yến sào tự nhiên chiếm khoảng 50%, thành phần còn lại là calci, acid amin, sulfor. Vậy làm sao hằng ngày chúng ta có thể hấp thu được lượng sữa uống? Điều quan trọng là, trong yến sào có chứa phân tử sinh trưởng biểu bì và hormon thúc đẩy quá trình phân chia tế bào, thúc đẩy sự tái tạo mới, tăng cường sức đề kháng cho cớ thể, khôi phục nguyên tố, cho bạn một làn da trắng và mịn màng. -Nguyên liệu: Yến sào 30g, nước dừa 200ml, đường phèn, hạt sen 60g. -Cách làm: 1. Yến sào ngâm vào nước khoảng 4 giờ, loại bỏ tạp chất, lông vụn, rửa sạch, để ráo nước, chuẩn bị sẵn. Hạt sen ngâm mềm, loại bỏ tim, để sẵn. 2. Bỏ đường phèn vào 600ml nước để sooim cho đường tan ra, sau đó cho yến sào và hạt sen vào, đậy nắp lại, chưng cách thủy khoảng 1 giờ 30 phút, rồi cho nước dừa vào nấu 15 phút. -Mẹo nhỏ: 1. Yến...

Sotheby's IMPRESSIONIST & MODERN ART 14 November 2017 Updated

IMPRESSIONIST & MODERN ART EVENING SALE Auction 14 November 2017 Works from the Mellon Family Collection are led by Claude Monet’s Champ d’iris à Giverny, painted in 1887 during a period of respite from the artist’s extensive travels in Holland, Brittany and, finally, his newly- established permanent studio at Giverny (estimate $3/5 million) . The idyllic , pastoral subject matter of this work encapsulates the central focus of Monet’s oeuvre toward the end of the 19 th century, when he divorced himself from painting urban scenes of Paris and devoted himself fully to his beloved countryside in Giverny. The present work was acquired by the Mellons in 1953 and has remained in the family’s collection since . Jeanne dite Cocotte, et Ludovic Rodolphe Pissarro sur un tapis is one of the remarkable compositions in which Camille Pissarro turns his at ention to his own family as the subject for his art (estimate $800,000/1.2 million...

Turner and the Sun

The Gallery, Winchester Discovery Centre 5 August – 15 October 2017, Sainsbury Gallery, Willis Museum, Basingstoke 21 October – 16 December 2017, In the weeks prior to his death, J.M.W. Turner is said to have declared (to John Ruskin) ‘ The Sun is God’ – what he meant by this, no-one really knows, but what is not in any doubt is the central role that the sun played in Turner’s lifelong obsession with light and how to paint it. Turner and the Sun , an exhibition curated by Hampshire Cultural Trust, will be the first ever to be devoted solely to the artist’s lifelong obsession with the sun. Whether it is the soft light of dawn, the uncompromising brilliance of midday or the technicolour vibrancy of sunset, his light-drenched landscapes bear testimony to the central role that the sun assumed in Turner’s art. Through twelve generous loans from Tate Britain – the majority of which are rarely on public display – this focused exhibition...

bgap

Search This Blog