Word/Play: Prints, Photographs, and Paintings by Ed Ruscha

Joslyn Art Museum, Omaha
February 3 – May 6, 2018

Ed Ruscha, Clarence Jones, 2001, acrylic on canvas, 72 x 124 inches, Phillip G. Schrager Collection

The first major exhibition featuring Ed Ruscha in his home state of Nebraska, Word/Play brings together prints, photographs, and artist books dating from the 1960s through 2014, complemented by a selection of major paintings. An important early figure in Conceptual Art, Ruscha deftly combines imagery and text. At turns poignant, provocative, and confounding, Ruscha’s use of the written word is a signature element of his work.

Born in Omaha in 1937, Ruscha lived in the city for several years before his family moved to Oklahoma City. In 1956, Ruscha relocated to Los Angeles to study commercial art at the Chouinard Art Institute and quickly became a fixture in the energized West Coast art scene. Rarely seen photographs featured in Word/Play reveal the urban landscapes that inspired many of Ruscha’s most famous prints and paintings, including images of nondescript apartment buildings, everyday consumer goods, and the Los Angeles streets.

Examining the breadth of Ruscha’s rigorous engagement with printmaking, the exhibition encompasses screen prints, etchings, and lithographs, revealing his aptitude for pairing traditional techniques with unexpected subjects and unconventional materials, such as coffee or gunpowder. Ruscha’s monumental mountain paintings combine the names and occupations of traditional laborers with sublime topographies, highlighting his capacity to ennoble the mundane and cleverly transform it into the extraordinary. Several of these images contain palindromes, inscribed over mirror-image landscapes, such as

Lion in Oil (2002).

More images:

https://d32dm0rphc51dk.cloudfront.net/87cyFXBxuUFWTh4GanIoxA/larger.jpg

Ed Ruscha. Sweets, Meats, Sheets; Closed; Air, Water, Fire; and Open from Tropical Fish Series, 1975

4 Color screenprints

25 3/4 × 32 3/4 in

65.4 × 83.2 cm

Ed Ruscha

Periods, 2013

Lithograph

28 3/4 × 28 in

73 × 71.1 cm

Ed Ruscha

Sweets, Meats, Sheets; Closed; Air, Water, Fire; and Open from Tropical Fish Series, 1975

Gagosian

Contact Gallery

Comments

Món ăn làm đẹp da, chống nếp nhăn, trị nám da hiệu quả nhất

Yến sào hầm nước dừa, hạt sen -Công dụng: Nhuận phổi ngưng ho, giảm béo, trắng da, trị nám da hiệu quả. -Nguyên tố vi lượng: Calci, acid amin, chất nhựa. Protein trong yến sào tự nhiên chiếm khoảng 50%, thành phần còn lại là calci, acid amin, sulfor. Vậy làm sao hằng ngày chúng ta có thể hấp thu được lượng sữa uống? Điều quan trọng là, trong yến sào có chứa phân tử sinh trưởng biểu bì và hormon thúc đẩy quá trình phân chia tế bào, thúc đẩy sự tái tạo mới, tăng cường sức đề kháng cho cớ thể, khôi phục nguyên tố, cho bạn một làn da trắng và mịn màng. -Nguyên liệu: Yến sào 30g, nước dừa 200ml, đường phèn, hạt sen 60g. -Cách làm: 1. Yến sào ngâm vào nước khoảng 4 giờ, loại bỏ tạp chất, lông vụn, rửa sạch, để ráo nước, chuẩn bị sẵn. Hạt sen ngâm mềm, loại bỏ tim, để sẵn. 2. Bỏ đường phèn vào 600ml nước để sooim cho đường tan ra, sau đó cho yến sào và hạt sen vào, đậy nắp lại, chưng cách thủy khoảng 1 giờ 30 phút, rồi cho nước dừa vào nấu 15 phút. -Mẹo nhỏ: 1. Yến...

Turner and the Sun

The Gallery, Winchester Discovery Centre 5 August – 15 October 2017, Sainsbury Gallery, Willis Museum, Basingstoke 21 October – 16 December 2017, In the weeks prior to his death, J.M.W. Turner is said to have declared (to John Ruskin) ‘ The Sun is God’ – what he meant by this, no-one really knows, but what is not in any doubt is the central role that the sun played in Turner’s lifelong obsession with light and how to paint it. Turner and the Sun , an exhibition curated by Hampshire Cultural Trust, will be the first ever to be devoted solely to the artist’s lifelong obsession with the sun. Whether it is the soft light of dawn, the uncompromising brilliance of midday or the technicolour vibrancy of sunset, his light-drenched landscapes bear testimony to the central role that the sun assumed in Turner’s art. Through twelve generous loans from Tate Britain – the majority of which are rarely on public display – this focused exhibition...

Museum of Fine Arts, Boston gets exceptional collections of 17th-century Dutch and Flemish art

The Museum of Fine Arts, Boston (MFA) has announced that Rose-Marie and Eijk van Otterloo and Susan and Matthew Weatherbie have made a commitment to give their exceptional collections of 17th-century Dutch and Flemish art to the Museum—a donation that will constitute the largest gift of European paintings in MFA history. The Boston-area collectors plan to give the MFA not only their art collections, but also a major research library and funding to establish a Center for Netherlandish Art at the MFA, the first of its kind in the U.S. The donation of 113 works by 76 artists—including one of the finest Rembrandt portraits in private hands—will elevate the Museum’s holdings into one of the country’s foremost collections of Dutch art from the Golden Age and significantly strengthen its representation of Flemish paintings from the time. The Center for Netherlandish Art will encourage sharing works of art with wide audiences through collaborative study, generous loans and a commitment to ment...

bgap

Search This Blog