Skip to main content

Roy Lichtenstein in Focus


Tate Liverpool
22 September 2017 to 17 June 2018



This autumn Tate Liverpool will be showing works by the renowned American pop artist Roy Lichtenstein (1923–1997). The display includes major paintings such as In the Car 1963 and provides a rare opportunity to see a substantial group of Lichtenstein’s work in the North of England. It includes some 20 paintings, reliefs and works on paper by the artist known for his paintings based on comic strips, advertising imagery, and adaptations of works by other artists.

Lichtenstein was a pioneer of the pop art movement that exploded in the early 1960s. In his often monumentally-sized paintings, he makes use of a printing technique that mimics the Ben-Day dots seen in comic books and commercial newsprint. This became synonymous with the influence of popular mass culture on the look and subject matter of avant-garde art at the time.

Fascinated by the arresting and emotionally charged imagery found in romance and war comics, Lichtenstein sought to recreate in paint the immediacy and impact of these simplified printed images. This display examines how the artist’s work draws on art history while also responding to cultural and political changes from the 1960s onwards.

Lichtenstein experimented with different media throughout his career. Most commonly he used synthetic materials with glossy or mirrored surfaces, the contrasting and reflective effect of this can be seen in works such as  

http://www.roylichtenstein.com/images/paintings/wall-explosion-2.jpg

Wall Explosion II 1965

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFew4ph93DcCUhvEiDiDYodcM3XmhSVB8seCuNoX3DsFRHHdvAjWi1QFQPTvouLUha_iReiQSDO2ADXZwkIo9teDEnVZHXbWytrujAz00oxEDaoV5HJu5qCVyc0PaPOrgDukyiJ7MfbTM/w1200-h630-p-k-no-nu/Roy_Lichtenstein_Reflections_on_Girl_1990.jpg

and Reflections on Girl 1990.

Lichtenstein’s only foray in to film will be displayed for just the second time in Europe. The triple screen film installation Three Landscapes c. 1970–1971 is a mesmerising hybrid of film, painting, billboard, comic strip and kinetic spectacle.



  • Roy Lichtenstein, In The Car 1963 © Estate of Roy Lichtenstein/DACS 2017. Photo: Antonia Reeve


Bringing together painting, sculpture and video from throughout Lichtenstein’s career, this exhibition constitutes a key body of work, drawn from ARTIST ROOMS - a collection of international modern and contemporary art, established through the d’Offay Donation in 2008, and jointly owned by Tate and the National Galleries of Scotland - alongside major loans from both institutions and the Roy Lichtenstein Foundation. ARTIST ROOMS: Roy Lichtenstein in Focus is curated by Darren Pih, Exhibitions and Displays Curator, with Lauren Barnes, Assistant Curator, Tate Liverpool.

More images:

Roy Lichtenstein (1923-1997), Reflections on Crash, 1990, Lithograph, screenprint, relief, and metalized PVC collage with embossing on mold-made Somerset pape, 150.2 x 190.5 cm, Artist Rooms National Galleries of Scotland and Tate. Lent by The Roy Lichtenstein Foundation Collection 2015 © Estate of Roy Lichtenstein/DACS 2015
    • Roy Lichtenstein (1923-1997), Reflections on Crash, 1990, Lithograph, screenprint, relief, and metalized PVC collage with embossing on mold-made Somerset pape, 150.2 x 190.5 cm, Artist Rooms National Galleries of Scotland and Tate. Lent by The Roy Lichtenstein Foundation Collection 2015 © Estate of Roy Lichtenstein/DACS 2015
     http://www.tate.org.uk/art/images/work/AL/AL00383_9.jpg
      • Roy Lichtenstein (1923-1997), Reflections: Art, 1988 Oil and Magna on canvas, 112.4 x 193.7 cm (44 1/4 x 76 1/4 in.), Artist Rooms National Galleries of Scotland and Tate. Lent by The Roy Lichtenstein Foundation Collection 2015 © Estate of Roy Lichtenstein/DACS 2015 
      Roy Lichtenstein (1923-1997), Modern Art I, 1996, Screenprint on Lanaquarelle watercolor paper, 130.2 x 96.2 cm, Artist Rooms National Galleries of Scotland and Tate. Lent by The Roy Lichtenstein Foundation Collection 2015 © Estate of Roy Lichtenstein/DACS 2015.
      • Roy Lichtenstein (1923-1997), Modern Art I, 1996, Screenprint on Lanaquarelle watercolor paper, 130.2 x 96.2 cm, Artist Rooms National Galleries of Scotland and Tate. Lent by The Roy Lichtenstein Foundation Collection 2015 © Estate of Roy Lichtenstein/DACS 2015. 
      Roy Lichtenstein (1923-1997), Composition III, 1996, Screenprint on Lanaquarelle watercolor paper, 129.4 x 90.2 cm, Artist Rooms National Galleries of Scotland and Tate. Lent by The Roy Lichtenstein Foundation Collection 2015 © Estate of Roy Lichtenstein/DACS 2015
      • Roy Lichtenstein (1923-1997), Composition III, 1996, Screenprint on Lanaquarelle watercolor paper, 129.4 x 90.2 cm, Artist Rooms National Galleries of Scotland and Tate. Lent by The Roy Lichtenstein Foundation Collection 2015 © Estate of Roy Lichtenstein/DACS 2015 
      https://media.wsimag.com/attachments/387e63979b2b21b94f3aaa2cebef848d6bd2914d/store/fill/408/612/d6d7f152e98334012c57bc89939eafbc8121c3986c4c60115076bbfa1cce/Roy-Lichtenstein-1923-1997-Roommates-1994-20-colour-relief-print-162-dot-9-x-129-dot-9-cm-Artist.jpg
      • Roy Lichtenstein (1923-1997), Roommates, 1994, 20 colour relief print, 162.9 x 129.9 cm, Artist Rooms, National Galleries of Scotland and Tate. Lent by The Roy Lichtenstein Foundation Collection 2015 © Estate of Roy Lichtenstein/DACS 2015

      Comments

      Popular posts from this blog

      Món ăn làm đẹp da, chống nếp nhăn, trị nám da hiệu quả nhất

      Yến sào hầm nước dừa, hạt sen -Công dụng: Nhuận phổi ngưng ho, giảm béo, trắng da, trị nám da hiệu quả. -Nguyên tố vi lượng: Calci, acid amin, chất nhựa. Protein trong yến sào tự nhiên chiếm khoảng 50%, thành phần còn lại là calci, acid amin, sulfor. Vậy làm sao hằng ngày chúng ta có thể hấp thu được lượng sữa uống? Điều quan trọng là, trong yến sào có chứa phân tử sinh trưởng biểu bì và hormon thúc đẩy quá trình phân chia tế bào, thúc đẩy sự tái tạo mới, tăng cường sức đề kháng cho cớ thể, khôi phục nguyên tố, cho bạn một làn da trắng và mịn màng. -Nguyên liệu: Yến sào 30g, nước dừa 200ml, đường phèn, hạt sen 60g. -Cách làm: 1. Yến sào ngâm vào nước khoảng 4 giờ, loại bỏ tạp chất, lông vụn, rửa sạch, để ráo nước, chuẩn bị sẵn. Hạt sen ngâm mềm, loại bỏ tim, để sẵn. 2. Bỏ đường phèn vào 600ml nước để sooim cho đường tan ra, sau đó cho yến sào và hạt sen vào, đậy nắp lại, chưng cách thủy khoảng 1 giờ 30 phút, rồi cho nước dừa vào nấu 15 phút. -Mẹo nhỏ: 1. Yến...

      Sotheby's IMPRESSIONIST & MODERN ART 14 November 2017 Updated

      IMPRESSIONIST & MODERN ART EVENING SALE  Auction 14 November 2017  Works from the Mellon Family Collection are led by    Claude Monet’s Champ d’iris à Giverny, painted in 1887 during a period of respite from the artist’s extensive travels in Holland, Brittany and, finally, his newly- established permanent studio at Giverny (estimate $3/5 million) . The idyllic , pastoral subject matter of this work encapsulates the central focus of Monet’s oeuvre toward the end of the 19 th century, when he divorced himself from painting urban scenes of Paris and devoted himself fully to his beloved countryside in Giverny.  The present work was acquired by the Mellons in 1953 and has remained in the family’s collection since .  Jeanne dite Cocotte, et Ludovic Rodolphe Pissarro sur un tapis is one of the remarkable compositions in which Camille Pissarro turns his at ention to his own family as the subject for his art (estimate $800,000/1.2 million...

      Turner and the Sun

      The Gallery, Winchester Discovery Centre 5 August – 15 October 2017, Sainsbury Gallery, Willis Museum, Basingstoke 21 October – 16  December 2017,    In the weeks prior to his death, J.M.W. Turner is said to have declared (to John Ruskin) ‘ The Sun is God’ –  what he meant by this, no-one really knows, but what is not in any doubt is the central role that the sun played in Turner’s lifelong obsession with light and how to paint it. Turner and the Sun , an exhibition curated by Hampshire Cultural Trust, will be the first ever to be devoted solely to the artist’s lifelong obsession with the sun. Whether it is the soft light of dawn, the uncompromising brilliance of midday or the technicolour vibrancy of sunset, his light-drenched landscapes bear testimony to the central role that the sun assumed in Turner’s art. Through twelve generous loans from Tate Britain – the majority of which are rarely on public display – this focused exhibition...