Skip to main content

Otto Dix: The Evil Eye


Tate Liverpool
Until 15 Oct 2017

Tate Liverpool presents the faces of Germany between the two World Wars seen through the eyes of painter Otto Dix (1891–1969) and photographer August Sander (1876–1964). Portraying a Nation: Germany 1919–1933 brings together two artists whose works document the glamour and misery of the Weimar Republic, a time of radical extremes and political and economic upheaval.


Portraying a Nation, which exhibits Dix and Sander as a pair for the first time, reflects a pivotal point in Germany’s history, as it introduced democratic rule in the aftermath of the First World War. The period was one of experimentation and innovation across the visual arts, during which both artists were concerned with representing the extremes of society, from the flourishing cabaret culture to intense poverty and civilian rebellions.


Featuring more than 300 paintings, drawings, prints and photographs, Portraying a Nation unites two complementary exhibitions. Otto Dix: The Evil Eye explores Dix’s harshly realistic depictions of German society and the brutality of war, while ARTIST ROOMS: August Sander presents photographs from Sander’s best known series People of the Twentieth Century, from the ARTIST ROOMS collection of international modern and contemporary art.


The exhibition focuses on the evolution of Dix’s work during his years in Düsseldorf, from 1922 to 1925, when he became one of the foremost New Objectivity painters, a movement exploring a new style of artistic representation following the First World War. 

 

Dix’s paintings are vitriolic reflections on German society, commenting on the country’s stark divisions. His work represents the people who made up these contradictions in society with highlights including 

 


Otto Dix, 1891–1969
Hugo Erfurth with Dog 1926
(Bildnis des Fotografen Hugo Erfurth mit Hund) 1926
Tempera and oil paint on panel
800 x 1000 mm
Museo Thyssen-Bornemisza, Madrid
© DACS 2017. Museo Thyssen-Bornemisza, Madrid.

Portrait of the Photographer Hugo Erfurth with Dog 1923, 

Otto Dix, 1891-1969
Self-Portrait with Easel 1926
(Selbstbildnis mit Staffelei) 1926
800 x 550 mm
Leopold-Hoesch-Museum & Papiermuseum, Düren
© DACS 2017. Leopold-Hoesch-Museum & Papiermuseum Düren. Photo: Peter Hinschläger.

Self-Portrait with Easel 1926, 

as well as a large group of lesser known watercolours. 

 

 Buried Alive

 

 Gas Victims

 

Soldier's grave between the lines

Wounded Soldier 

 

Machine Gunners Advancing

 

Mealtime in the Trenches


Dix’s The War 1924 will also form a key element of the exhibition, a series of 50 etchings made as a reaction to and representation of the profound effect of his personal experiences of fighting in the First World War.


Portraying a Nation: Germany 1919–1933 is made up of Otto Dix: The Evil Eye, Kunstsammlung Nordrhein-Westfalen, Düsseldorf. 


Otto Dix: The Evil Eye is curated by Dr Susanne Meyer-Büser, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Francesco Manacorda, Artistic Director and Lauren Barnes, Assistant Curator, Tate Liverpool. 

 






Otto Dix, 1891-1969
Butterfly 1922
(Schmetterling) 1922
Graphite on found paper
217 x 135 mm
Galerie Remmert und Barth, Düsseldorf
© DACS 2017. Galerie Remmert und Barth, Düsseldorf.
ensure that all works that are provided are shown in full, with no overprinting or manipulation.


Otto Dix, 1891-1969
Argentinian Venomous Scorpion 1922
(Argentinischer Gift-Skorpion) 1922
Graphite on found paper
134 x 217 mm
Galerie Remmert und Barth, Düsseldorf
© DACS 2017. Galerie Remmert und Barth, Düsseldorf.





Otto Dix, 1891–1969
Reclining Woman on a Leopard Skin 1927
(Liegende auf Leopardenfell) 1927
Oil paint on panel
680 x 980 mm
© DACS 2017. Collection of the Herbert F. Johnson Museum of Art, Cornell University. Gift of Samuel A. Berger; 55.031.



Otto Dix, 1891-1969
Giant Snake 1922
(Riesenschlange) 1922
Graphite on found paper
135 x 217 mm
Galerie Remmert und Barth, Düsseldorf
© DACS 2017. Galerie Remmert und Barth, Düsseldorf.




Otto Dix, 1891-1969
Mask Fish 1922
(Maskenfisch) 1922
Graphite on found paper
217 x 135 mm
Galerie Remmert und Barth, Düsseldorf
© DACS 2017. Galerie Remmert und Barth, Düsseldorf.




Otto Dix, 1891-1969
Tibetan Turkey Vulture 1922
(Tibetanischer Truthahngeier) 1922
Graphite on found paper
135 x 217 mm
Galerie Remmert und Barth, Düsseldorf
© DACS 2017. Galerie Remmert und Barth, Düsseldorf.


Otto Dix, 1891-1969
Vulture Skull 1922
(Totenkopfgeier) 1922
Graphite on found paper
217 x 135 mm
Galerie Remmert und Barth, Düsseldorf 
© DACS 2017. Galerie Remmert und Barth, Düsseldorf.

Comments

Post a Comment

Popular posts from this blog

Món ăn làm đẹp da, chống nếp nhăn, trị nám da hiệu quả nhất

Yến sào hầm nước dừa, hạt sen -Công dụng: Nhuận phổi ngưng ho, giảm béo, trắng da, trị nám da hiệu quả. -Nguyên tố vi lượng: Calci, acid amin, chất nhựa. Protein trong yến sào tự nhiên chiếm khoảng 50%, thành phần còn lại là calci, acid amin, sulfor. Vậy làm sao hằng ngày chúng ta có thể hấp thu được lượng sữa uống? Điều quan trọng là, trong yến sào có chứa phân tử sinh trưởng biểu bì và hormon thúc đẩy quá trình phân chia tế bào, thúc đẩy sự tái tạo mới, tăng cường sức đề kháng cho cớ thể, khôi phục nguyên tố, cho bạn một làn da trắng và mịn màng. -Nguyên liệu: Yến sào 30g, nước dừa 200ml, đường phèn, hạt sen 60g. -Cách làm: 1. Yến sào ngâm vào nước khoảng 4 giờ, loại bỏ tạp chất, lông vụn, rửa sạch, để ráo nước, chuẩn bị sẵn. Hạt sen ngâm mềm, loại bỏ tim, để sẵn. 2. Bỏ đường phèn vào 600ml nước để sooim cho đường tan ra, sau đó cho yến sào và hạt sen vào, đậy nắp lại, chưng cách thủy khoảng 1 giờ 30 phút, rồi cho nước dừa vào nấu 15 phút. -Mẹo nhỏ: 1. Yến...
Post a Comment
Read more

John Minton: A Centenary

Pallant House Gallery 1 July – 1 October 2017  Pallant House Gallery presents a major exhibition on the British artist John Minton (1917 – 1957), marking the centenary of his birth and 60 years since his death. It explores the artist’s achievements far beyond his reputation as a leading illustrator and influential teacher, spanning: Evocative wartime landscapes, including views of London, rooting him firmly in the Neo-Romantic tradition. Exotic subject matter in a new colour palette inspired by travel to Corsica, Jamaica, and Spain, including the newly rediscovered   John Minton, Jamaican Village (detail), 1951, Oil on canvas, private collection, photograph © 2016 Christie's Images Limited/ Bridgeman Images © Royal College of Art ‘Jamaican Village’ (1951) . Figurative work including portraits of young male students and friends that express something of Minton’s experience as a leading gay artist in the 1940s and 1950s. These have added poignancy as 2017 marks 50 ye...
Post a Comment
Read more

Caravaggio: Masterpieces from the Galleria Borghese

Getty Museum, Getty Center November 21, 2017 – February 18, 2018 The J. Paul Getty Museum has announceda rare exhibition of three celebrated works by the great Italian painter Michelangelo Merisi da Caravaggio (1571-1610), on loan from the Galleria Borghese in Rome, home to the largest collection of Caravaggio’s paintings in the world. Caravaggio: Masterpieces from the Galleria Borghese will be on view at the Getty Center from November 21, 2017 through February 18, 2018.    According to Timothy Potts, director of the J. Paul Getty Museum, “These three masterpieces are among Caravaggio’s best-known paintings, and we are extremely grateful to the Galleria Borghese for sharing them with our public. Caravaggio’s revolutionary genius made him one of the most important and beloved figures in European art history. The opportunity to see three of his most renowned works alongside the exceptional 17 th -century Italian masterpieces in our own collection is an event not to be m...
Post a Comment
Read more