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Comprising more than 40 paintings and over 180 works on paper, the Leopold Museum houses the largest and most eminent collection of works by the Expressionist Egon Schiele (Tulln 1890-1918 Vienna). The collection was compiled by the ophthalmologist Prof. Dr. Rudolf Leopold (1925-2010) over several decades. THE REDISCOVERY OF SCHIELE BY RUDOLF LEOPOLD When Schiele died in 1918 aged only 28 from the Spanish Flu, he was regarded by many as the most important Austrian artist of his time. During the decades following his untimely death, however, he was increasingly forgotten and was posthumously labeled a “degenerate artist” by the National Socialists. In the early 1950s, the young medical and art history student Rudolf Leopold saw the works of Egon Schiele for the first time. He recognized that in their quality, expressiveness and technical mastery Schiele’s works were comparable to those of the Old Masters. EGON SCHIELE. THE LEOPOLD COLLECTION Over the years, the collection

  Sotheby’s has unveiled the full offerings of our New York auction of American Art on 13 November 2017. Led by two masterworks by Norman Rockwell, sold to benefit the Berkshire Museum in Pittsfield, Massachusetts, the sale of 84 works of art represents the diversity of the American Art category, including strong examples of illustration, impressionist, modern and western art spanning the 19 th and 20 th centuries . The New York exhibition will be open to the public for 10 days, beginning 3 November. NORMAN ROCKWELL Shuffleton’s Barbershop © SEPS licensed by Curtis Licensing, Indianapolis, IN. All rights reserved. The undisputed highlight of the November auction is Norman Rockwell’s Shuffleton’s Barbershop , one of the artist’s masterpieces, being sold to benefit the Berkshire Museum (below , estimate $20 /30 million). Painted in 1950 – at the height of Rockwell’s career and just one year prior to Saying Grace , which holds the current auction record for the artist set at Sothe

IMPRESSIONIST & MODERN ART EVENING SALE  Auction 14 November 2017  Works from the Mellon Family Collection are led by    Claude Monet’s Champ d’iris à Giverny, painted in 1887 during a period of respite from the artist’s extensive travels in Holland, Brittany and, finally, his newly- established permanent studio at Giverny (estimate $3/5 million) . The idyllic , pastoral subject matter of this work encapsulates the central focus of Monet’s oeuvre toward the end of the 19 th century, when he divorced himself from painting urban scenes of Paris and devoted himself fully to his beloved countryside in Giverny.  The present work was acquired by the Mellons in 1953 and has remained in the family’s collection since .  Jeanne dite Cocotte, et Ludovic Rodolphe Pissarro sur un tapis is one of the remarkable compositions in which Camille Pissarro turns his at ention to his own family as the subject for his art (estimate $800,000/1.2 million) . The canvas depicts two of

Gagosian Paris October 19 - December 22, 2017   Gagosian is presenting  “Picasso and Maya: Father and Daughter,” the first exhibition dedicated to the artist’s diverse portrayals of his eldest daughter, Maya. Pablo Picasso, Portrait de Maya de profil , 1943, graphite, chalk, and pastel on vellum paper from spiral notebook, 14 5/8 × 12 1/4 inches (37 × 31 cm) © Succession Picasso 201 María de la Concepción, known as Maya, was born on September 5, 1935. During the first ten years of her life she was a constant subject in her father’s drawings and paintings, who observed with fascination and tenderness her physical and mental development. Her mother, Marie-Thérèse Walter, was the artist’s most iconic model. After meeting in 1927 at the Galeries Lafayette in Paris, Picasso and Marie-Thérèse began a long-lasting love affair, resulting in Picasso’s first daughter Maya. Following Maya’s birth, Picasso chronicled intimate details of their private life together en famille , explor

Columbus Museum of Art  October 21, 2017 – January 21, 2018   In partnership with the Guggenheim Museum Bilbao, Spain, Columbus Museum of Art presents Beyond Impressionism – Paris, Fin de Siècle:  Signac, Redon, Toulouse-Lautrec and Their Contemporaries.   CMA is the only U.S. venue for this extraordinary exhibition. Featuring approximately 100 paintings, drawings, prints, and works on paper, the exhibition explores the Parisian art scene, focusing on the most important French avant-garde artists of the late 19th century, including Paul Signac, Maximilien Luce, Maurice Denis, Pierre Bonnard, Félix Vallotton, Odilon Redon, and Henri de Toulouse-Lautrec. The Parisian fin de siècle was a time of political upheaval and intense cultural transformation. Mirroring the many facets of an anxious, unsettled era, this period saw the emergence of a broad spectrum of new artistic movements. Despite the diversity of styles, their subject matter remained largely that of their still-active

Dali & Schiaparelli  opened at The Dali Museum in St. Petersburg, FL, Wednesday, October 18, 2017. Running through January 14, 2018 Dali & Schiaparelli is the first exhibition dedicated to the creative relationship and masterpieces of Elsa Schiaparelli and Salvador Dali. The exhibit, presented in collaboration by The Dali Museum and Schiaparelli Paris, explores how each artist’s innovative approach both delighted and shocked the worlds of fashion and art. Sensuality and a daring beauty were trademarks of their collaborations. Dali & Schiaparelli will feature Haute Couture gowns and accessories, jewelry, paintings, drawings, objects and photos, as well as new designs by Maison Schiaparelli design director Bertrand Guyon. Elsa Schiaparelli, regarded as the most prominent figure in fashion between the two World Wars, explored bold Surrealistic themes in her designs. She was heavily influenced by artists, particularly Dali, with whom she often collaborated. Schiapa