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Clark Art Institute  June 4–August 27, 2017 Picasso: Encounters, on view at the Clark Art Institute June 4–August 27, investigates how Pablo Picasso’s (1881–1973) creative collaborations fueled and strengthened his art, challenging the notion of Picasso as an artist alone with his craft. The exhibition addresses his full stylistic range, the narrative themes that drove his creative process, the often-neglected issue of the collaboration inherent in print production, and the muses that inspired him, including Fernande Olivier, Olga Khokhlova, Marie-Thérèse Walter, Dora Maar, Françoise Gilot, and Jacqueline Roque. Organized by the Clark with the exceptional support of the Musée national Picasso–Paris, Picasso: Encounters is comprised of thirty-five large-scale prints from private and public collections and three paintings including his seminal Self-Portrait ( end of 1901) and the renowned Portrait of Dora Maar (1937), both on loan from the Musée national Picasso–Paris. The

The Impressionist & Modern Art Evening Sale on 27 June, part of 20 th Century at Christie’s, a series of sales that take place from 17 to 30 June 2017,  will be led by a group of masterpiece paintings by Max Beckmann, Claude Monet, Pablo Picasso, Egon Schiele and Vincent van Gogh.  Claude Monet’s Saule pleureur (1918-19, estimate: £15,000,000-25,000,000) is arguably one of the best of a series of ten works depicting the weeping willows surrounding Monet’s famous lily pond at Giverny, five of which reside in museum collections. Stripped of water and sky and painted with a heavily impastoed surface, the abstraction of Monet’s late works was a powerful influence on a generation of American abstract expressionist artists.  Painted between 1918 and 1919, Saule pleureur  is one of a series of ten monumental and powerfully emotive paintings, each of which depict one of the majestic weeping willow trees that lined Monet’s famed waterlily pond at his home in Giverny. Followin

The Metropolitan Museum of Art, July 3, 2017–January 2, 2018  The artist Frederic Remington (1861–1909)—chronicler par excellence of the American West—has long been celebrated for his achievements as an illustrator, a painter, a sculptor, and a writer. Opening July 3 at The Metropolitan Museum of Art, the exhibition Frederic Remington at The Met will present the artist's legacy through some 20 paintings, sculptures, works on paper, and illustrated books from the late 1880s until his death. Although he lived and worked on the East Coast, Remington traveled extensively. His insightful depictions of trappers, Native Americans, cavalry, scouts, and, above all, his archetypal cowboys are some of the most iconic images of the Old West. The works that will be on view come primarily from The Met's singular collection, including several sculptures purchased directly from the artist. Drawings related to Remington's illustration work, on loan from The Rockwell Museum and the Frederic

Wassily Kandinsky’s Murnau – Landschaft mit grünem Haus An Expressionist Masterpiece by the Pioneer of Abstract Art Wassily Kandinsky, Murnau – Landschaft mit grünem Haus, oil on board, 1909 (est. £15-25 million) Helena Newman, Global Co-Head of Sotheby’s Impressionist & Modern Art Department & Chairman of Sotheby’s Europe, said:  “ Kandinsky’s major early work Murnau – Landschaft mit grünem Haus is a blazing celebration of colour that captures the moment of transition in the artist’s career when he is on the cusp of moving from figuration to abstraction. Many of his important paintings from this highly sought-after period are housed in major museums, so this work surfacing from a private collection after almost a century represents a tremendously appealing opportunity for collectors worldwide.”  Kandinsky was at the forefront of the momentous changes that were to transform the face of art history and it was in the critical year of 1909 that the artist took his first steps

In July this year, Sotheby’s will offer the only version of one of the most iconic works by Dante Gabriel Rossetti to remain in private hands. A celebration of the beauty of the artist’s first mistress, Fanny Cornforth, and a pictorial hymn to her glorious corn-gold hair,  Lady Lilith comes to auction for the first time in thirty years.  The work was painted during Rossetti’s most innovative period in the 1860s, when he created the cult of the Pre-Raphaelite beauty, or ‘Stunner’ as he called them, whose physical qualities were embodied by Fanny Cornforth. Two other paintings of Lady Lilith were produced by Rossetti during this decade and they now hang in museums in the US.  The rediscovered picture will be offered at Sotheby’s London sale of Victorian, Pre-Raphaelite & British Impressionist Arton 13 July with an estimate of £400,000-600,000.2LadyLilith(Delaware Art Museum, Wilmington)Fanny CornforthSimon Toll, Sotheby’s Victorian Art Specialist, said:  “Rossetti’s work is a g

Pablo Picasso, Femme écrivant (Marie-Thérèse) (1934, estimate: £25,000,000-40,000,000), © Succession Picasso/DACS, London 2017 Pablo Picasso’s tender portrait Femme écrivant (Marie-Thérèse) (1934, estimate: £25,000,000-40,000,000) will be a leading highlight of Christie’s Impressionist & Modern Art Evening Sale , in London on 27 June 2017 as part of 20 th Century at Christie’s, a series of sales that take place from 17 to 30 June 2017. Painted on 26 March 1934, Pablo Picasso’s Femme écrivant (Marie-Thérèse) is a joyous, colour-filled and deeply personal portrayal of Marie-Thérèse Walter, the young, blond-haired woman who, when she entered the artist’s life in January 1927, influenced the course of his art in an unprecedented manner. Femme écrivant is one of the greatest portraits of Marie-Thérèse, a radiant and intimate depiction of Picasso’s lover, which, along with the preceding paintings of the